I Love You with an Asterisk: African-American Experimental Composers and the French Jazz Press, 1970-1980
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Despite the favorable environment for jazz in France, African-American musicians’ turn toward using intellectual and formal techniques of European art music during the 1970s met with a cool reception in the French jazz press. Lehman suggests that a genuine fascination with this new music was tempered by received notions about race and musical idiom, which viewed through-notated forms and intellectualism as uniquely French or European.