This article examines Jimmy Giuffre’s unwarranted obscurity. Giuffre, who was a leader in the West Coast or “cool” school, later made some of the earliest free jazz recordings. Lock suggests that his failure to fit into predictable or convenient categories may have upset the “jazz police” in the music industry and media. Lock discusses the finely balanced ensemble playing and understated style of the pathbreaking free jazz recordings Giuffre made in the early 1960s just before a 20-year hiatus in his recording career.
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abstract jazz, book excerpts, free jazz, jazz journalism, jazz police, Jimmy Giuffre, record labels, teaching