Pickering examines Stratton's popular blackface routine in late 19th century Britain. He argues that Victorian society defined itself as modern and civilized vis-à-vis a stereotyped racial "other"-yet also cynically suppressed awareness of the brutal colonial oppression attending its growing empire. Stratton made "visible for his British audiences what was otherwise evaded or concealed ‘inside themselves'."
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acrobatics, blackface, Britain, dancing, England, Eugene Stratton, minstrel shows, minstrelsy, race relations, ragtime, UK, Victorian era