This PDF is a full-text searchable reproduction of the entire issue of this publication with all images, including advertisements.
Department of Music
In this interview with Professor Jim Merod, composer and trombonist Tom McIntosh reflects on overcoming many kinds of racial barriers, criticizes the idea of jazz as an expression of "primitive" human culture, and explores the impact of African-American culture on popular music.
Stanbridge examines two recordings by the composer George Russell of the country and western standard "You Are My Sunshine." Russell's complex renditions, aided by Sheila Jordan's emotionally fraught vocals, pitted the song's rustic associations against the alienation he saw in modern technology and violence. The multileveled, perhaps cynical parody militates against any "happy endings" and, Stanbridge argues, any fixed interpretation of the performance, whether through modernist or postmodernist lenses.
The full text of a pathbreaking early book on jazz.