Bebop

Gerald Majer, a native of Chicago's racially segregated South Side, has written a book about its musical life. Majer combines his personal experiences with the story, or stories, of his community, merging his account of the music and with the difficult conditions that shaped it. The result is an innovative combination of history, subjective experience of that history, and reflection on its meaning-that is, of fact, literature, and criticism. In the first portion of this wide-ranging chapter, Majer discusses the music of Hammond organ players Wild Bill Davis and Jimmy Smith.

Gerald Majer, a native of Chicago's racially segregated South Side, has written a book about its musical life. The Velvet Lounge combines his personal experiences with the story, or stories, of his community, merging his account of the music and with the difficult conditions that shaped it. The result is an innovative combination of history, subjective experience of that history, and reflection on its meaning-that is, of fact, literature, and criticism.

Barry Ulanov's liner notes to a recording by Lennie Tristano that also included Lee Konitz, Gene Ramey, and Art Taylor.

Literary critic Jacques Derrida was skeptical that jazz improvisation could actually transgress or ignore preset formal and harmonic structure-the "law of jazz"-to achieve totally spontaneous creations and unique, unpremeditated events. Ramshaw argues that no event generated in jazz improvisation is ever totally singular, nor is such an event totally absent in legal institutions, otherwise held to be diametrically opposed to the spontaneity of jazz. She refers to Derrida's own writings on deconstruction for this insight.