Education & Pedagogy

Arnold Davidson: "Improvisation as Ethical Form" (Part I)

After Professor Carol Rovane's introduction to the panelists and theme of the conversation, the keynote speaker, philosopher Arnold Davidson, presents his views on improvisation and ethics. Davidson's interest lies not only in how ethics bears on improvisation, but what improvisation can tell us about ethics. He makes reference to the ancient tradition of self-realization through rational inquiry, or "care of the self," to explore the relation between self and other in the process of collective improvisation.

The Struggle and the Triumph of Latin Jazz (I)

Bobby Sanabria

Latin jazz artist and educator Bobby Sanabria and Columbia Professor of Music Chris Washburne discuss the recent elimination of the Latin jazz Category in the Grammy Awards. Surveying a broad panorama of the struggles and many triumphs of Latin jazz through the last century, they consider the implications of the Grammy Award decision for the future of this vibrant and interculturally expressive music.

Click here for Part II.

Harmonic Earthquakes

This talk examines the music festival documented in 2004 called Banlieues Bleues, which featured African American musicians from the Association for the Advancement of Creative Music.  These musicians used improvisation to empower and give voice to children of color from marginalized Parisian suburban communities.

Seminar: The World of Thelonious Monk

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This course explores 20th century cultural history through the music, ideas, and image of pianist/composer Thelonious Monk. We are particularly interested in how Monk has been "constructed" by critics, fans, writers, visual artists, the music industry, the media, etc., and how Monk himself helped shape his public image. After all, Monk became a major icon for Beat generation poets, surrealist artists, and emerging avant garde jazz musicians, despite the fact that he neither identified nor engaged these creative artists directly.

Introduction to Jazz Studies

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Columbia University

Anthropology, African-American Studies, and American Studies

Fall 2005

COURSE REQUIREMENTS

Regular attendance and full participation in the seminar, including a short presentation (15 minutes) in one session

Read the three assigned texts and the xeroxed readings

Write two short papers (3-5 pages)

1) comparing two histories OR two textbooks on jazz chosen from the list on pp. 320-321 of Jazz 101 or in consultation with the instructor

Pages

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