Jazz-rock/Fusion

The New Thing

Author: 

Yale University

Anthropology

Spring 2004

An examination of the new jazz that emerged shortly after the middle of the 20th century. Discussion will include the work of musicians such as Ornette Coleman, Cecil Taylor, Don Cherry, Anthony Braxton, Carla Bley, Albert Ayler, and the Art Ensemble of Chicago; the economics and politics of the period; parallel developments in other arts; the rise of new performance spaces, recording companies, and collectives; the accomplishments of the music and the problems it raised for jazz performance and criticism.

Constructing the Jazz Tradition

Author: 

This artful survey of interpretations of jazz history is also a challenge to the notion that there can or should be any single one. DeVeaux shows that common claims as to what jazz is about-a form of resistance, a folk art, an autonomous high art-coexist uneasily, and that each has been used to support otherwise antagonistic stylistic agendas. He calls for closer inquiry into the nuanced history of each period and rejects dogmatic assertions of jazz' "essence."

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